Showing posts with label Alexander Wang. Show all posts
Showing posts with label Alexander Wang. Show all posts

Tuesday, December 17, 2013

BACK TO FRONT FASHION

Posted by Maya Peilow

Note from Bethan: Maya has been interning with us for the past few months and has written for us today about the curious lack of 360 degree views in catwalk images….

When was the last time you saw the back of a model in a catwalk image or even magazine shoot? I would hazard a guess that the answer is, probably, never. Even though everyone attending fashion shows gets a good front and back view of each look, it's not until the item goes up on e-commerce sites that we ever get to see the back again. So the daring scoop of a jumpsuit or the bustle of an amazingly tailored jacket is often completely missed on a Style.com line-up or in trend reports. It's up to interested showgoers to tweet and Instagram the best back-views but even those quickly disappear down the news feed. 

In a feature for The Cut’s ‘Out of the Box’, photographer and artist Erik Madigan Heck has revisited the Spring/Summer 2014 collections to make us reconsider them from behind. These photographs highlight the details and actual trends that are often missed, as viewers all-too-often focus on the front of a garment. The photographs are presented in two ways; firstly, in a chameleonic manner, whereby the prints are placed against a similar or an identical background and, secondly, against a plainer background, which emphasises the attention to detail on the back of the clothes.

Chanel paint palette dress, from behind by Erik Madigan Heck (via nymag.com/thecut)

Alberta Ferretti SS14 (via vogue.com)
So, what have we been missing out on from a back perspective in the SS14 shows? Raf Simons' slightly eerie collection comprised jewellery which reminded us of moss creeping down the models' backs. And in one of the best examples of front/back diversity, the Dior designer sent out a perfectly respectable shirt dress which turned into a shoulder-blade revealing, sequinned racer back once the back came into sight. One of my favourite examples is Alberta Ferretti's embroidered sundress which turns to become beautifully backless with clustered bunches of flowers.

Dior SS14 (via style.com)

Dior SS14 (via style.com)
There's one major designer who is paying serious attention to the back/ front issue. In his work for both his own label and for Balenciaga, Alexander Wang is employing clever tactics to make sure we notice every angle of his designs. I wouldn't be surprised actually if he had someone solely in charge of mirrors. 

Balenciaga Resort '14 (via style.com)

Balenciaga SS'14 (via style.com)
On the catwalk, he positions mirrors so that the images which are beamed around the internet demonstrate a reflection of the back of the look. With the Resort (and pre we expect), he can be even more tactical, photoshopping in details as if on mirrors which can easily be missed in the full-length shot to give a much more impactful message for each item. The shoe, the arm detail and the cut-out all get their moment. In his own label Pre-Fall, Wang has eschewed mirrors but still makes sure we get different focuses by getting models to pose at different angles. It's a simple tactic but completely changes the way we view the collection.

Alexander Wang Pre-Fall (via style.com)


Wednesday, December 19, 2012

PLAYING PRE-FALL DRESSING UP

Posted by Bethan Holt, Fashion Junior at Large

It's nearly time to snuggle into your Christmas jumper and be done with proper fashion for a week or so, but before that we mustn't forget that the next round of collections- Pre-Fall 2013- is trickling in slowly, giving us a little taster of how we might be looking a year from now. In traditional FEAL fashion, I've got out the Big Head to demonstrate how I might possibly look in some of my favourite looks so far...

1. GUCCI

Checks and tartan are looking strong for next Autumn. Gucci's woollen dress has a strong, pulled together silhouette with a hint of kilt, the perfect balance of chic and traditional.


2. 3.1 PHILLIP LIM

This is quite possibly the archetypal example of what a Pre-Fall (or Resort) collection is all about; it would be quite perfect to put on this entire look, walk out of the studio door and go live life, rucksack slung over shoulder.  You'd be wearing key, hard-working wardrobe pieces with a fashionable but not slavish hint at trends. Winter Turquoise is looking like a big thing, following on from the Celine coat of AW12. 


3. PROENZA SCHOULER #1 and #2

As a simple styling concept, Proenza's concoction feels bang on- take a monochrome colour block sweater, add statement skirt and simple heels. Done. It feels like a wearable, day to day move on from the final looks in Raf Simons' first Dior collection- the black jumper with iridescent ballgown skirts. I couldn't decide between the artsy blue optical skirt or the burnished gold so I stuck my head on both. 



4. ALEXANDER WANG

Will we be seeing grey marl sweats on the Balenciaga catwalk? Possibly not, but Wang's Pre-fall draped luxe sport get-up seems rather fabulous to me although not sure I'd wear the whole look all together. The easy but versatile sweatshirt would be top of my list. 


5. THEYSKENS' THEORY

Oh dear, I'm going to make another Dior reference, but don't you think this sheeny dress coat is a little bit like those updated Bar jackets which Simons did? It's glitzier and comes with what looks a bit of a nasty belt however it fits perfectly into the idea of wearing a jacket as a dress which is really sexy in a Roxie Hart kinda way. 




6. CHANEL

I really ought to have picked my tartan choice from Chanel's Paris -Edinbourg collection, however I by far prefer Lagerfeld's interpretations of Elizabeth I attire, all virginal white gowns with ruffs at the neck. If only I had the photoshop skills to transport the intricate plaits which Sam McKnight created for the occassion onto my own 'do. 



Tuesday, December 11, 2012

SHELLEY VON STRUNCKEL ON ALEXANDER WANG AND BALENCIAGA


Guest Post by Shelley von Strunckel, introduced by Melanie Rickey Fashion Editor at Large

Helllooo. My approach to writing here doesn't fit with Blogging Rules 101,  so I didn't write about the fact I was pregnant, or that I broke my leg in three places just before giving birth to my little baby Horatio who has hair like Ken Dodd and can break hearts at five paces. Nevertheless, the above did all transpire and I have not been writing on FEAL since August. Needless to say, but say I will - I am now a new mother with a slight limp. How very fashion of me. The latter will change when my physiotherapist is done with me, but for now I have thoroughly enjoyed the steepest learning curve known to womankind and in tandem to that becoming professionally rusty through lack of application.

My return to work will be gradual and I will be back in full force for the next round of fashion weeks. Today, though, I would like to share an aspect of the work of the wonderfully clever and scarily insightful astrologer Shelley von Strunckel with you; namely her astrological profiles of those public figures currently in the full glare of the media spotlight. I visited Shelley not long after Horatio was born so she could tell me about how myself and my son's personalities will work together using our charts as navigating tool. I found it utterly fascinating.

Last week at dawn an email pinged in asking me if I could verify the real birthdate of Alexander Wang from two dates doing the rounds online. Having pinned down the actual date for her, Shelley then went on to create the below report on Mr Wang's personality and what is happening for him now. She also created one for Cristobal Balenciaga the founder of the house Wang now directs.

Thank-you Shelley, you are brilliant.

WANG

Alexander Wang (Image from marcelokrasilcic.blogspot.com)

Alexander Wang- December 26th 1983- Capricorn


Fashion is full of visionaries. But a visionary with a sound business sense is rarer. Alexander Wang has both. With the Sun and Mercury, key to his mind, in tough Capricorn in his birth chart, he understands that, fashion is a business that, without profits, won’t survive. Yet this is balanced by idealism. With inventive Uranus, restless Jupiter and Neptune, planet of vision all in easygoing yet inquisitive Sagittarius, Wang’s easygoing and somewhat androgynous style won’t just update Balenciaga, he’ll redefine this revered couture house – and, in turn, prepare that rarefied world for the next generation. More broadly, he’ll rethink the couture’s financial future by re-evaluating the license business, from scent to handbags. True, with the great teacher, Saturn, powerfully placed in his chart until well into 2014, it will be a steep learning curve. But judging by Wang’s chart, both he and Balenciaga will emerge the better for having gone through the process.

BALENCIAGA

Cristobal Balenciaga by Boris Lipnitzki (image from pleasurephoto.wordpress.com)

Cristóbal Balenciaga- January 21st 1895- Aquarius

Any discussion of Alexander Wang would necessarily require a look at the DNA of the house, in the form of the unique visionary that was Cristóbal Balenciaga. With the Sun, Mercury and the sensual Venus in Aquarius, a sign that’s said always to be twenty years ahead of its time, Balenciaga transcended the ordinary. He also anticipated the sculptural looks of the 60’s and 70’s. With three planets in witty Gemini, fashion was as much about the concept as the person wearing it. While this is miles away from Wang’s contemporary style, their charts share one thing in common. The planet of discipline, Saturn, in the serious yet sensitive Scorpio. This indicates both regard their work not as a mere job, but as a calling.  

A note from Shelley

Having worked with the individual charts of private clients for years, when I’d read about somebody in the news whose actions were exciting, interesting or just plain puzzling, I’d get curious about their chart. I’d research their birthdate and calculate their chart. A chart done for the exact day of birth can reveal amazing insights about the character behind any individual’s actions. This led to interpretations of the charts which have appeared in The Sunday Times, Evening Standard’s ES Magazine and currently in Tatler. And now, with a fashion focus, here in Fashion Editor at Large.

To contact me or to learn more about having your chart done, please contact info@shelleyvonstrunckel.com
And follow Shelley on twitter; @vonstrunckel

Friday, November 30, 2012

ALEXANDER WANG TO BALENCIAGA AND THE REST OF THE WEEK IN FASHION

Posted by Bethan Holt, Fashion Junior at Large

This has been a huge fashion week... Here's all the news you need to know.

ALEXANDER WANG HEADS TO BALENCIAGA

The murmurs (read, Twitter frenzy) began yesterday but this morning- as Nicolas Ghesquière began his last day- it was confirmed by WWD that one of New York's most successful and best-loved young designers is heading to Paris to design at Balenciaga. Here's what the fashion industry thought...

Vogue UK: Alexander Wang Named Balenciaga Creative Director Another fashion mystery solved. That's a big leap for Wang

So the whispers have been confirmed Alexander Wang is to go to - an astute business decision more than anything else

Big news in fashion land: Alexander Wang IS taking over at. The brand will become less pious and more accessible..and so it goes


Congratulations to Alexander Wang for the Balenciaga gig! A new era...

Alexander Wang is off to Balenciaga (image via wmagazine.com)
JW ANDERSON TO DESIGN FOR VERSUS

Following the end of Christopher Kane's work at Versus, it was announced on Wednesday that Jonathan (JW) Anderson will be the first young designer to collaborate with Versace's sister brand as they head in a new, digitally focussed direction. We'll get to see the result of the collaboration at a New York event in March or April 2013. JDubz and Versus have given us a hint of what's to come, releasing this fabulous image by Bruce Weber starring Stella Tennant, from 1996. This photo has apparently inspired the collection. Bring on the New White Jean.

JW Anderson's Versus inspiration (Image via fashionologe.com)
WHAT'S HAPPENING WITH CHRISTOPHER KANE?

So now we know that Kane won't be heading up Balenciaga, but has got more time on his hands thanks to the end of his Versus deal, there is increasing specualtion that he might be getting ready to take his own brand to the next level. He is rumoured to have held talks with PPR who were behind the expansions of Stella McCartney and Alexander McQueen's label. A Christopher Kane shop is something we would REALLY like to see. Watch this space...

SUZY MENKES

Whilst we all get our knickers in a twist about what the Balenciaga version of a Wang Rocco bag will look like, or what a Wang version of a Lariat will be, Suzy Menkes has been summing up the state of fashion now in her inimitable, concise and searing way. Her piece "Dirty Pretty Things" from today's New York Times is well-worth a read. Find out more about Menkes' approach to fashion and her career in this interview from AnOther.

Suzy Menkes has been guiding us through the current fashion upheaval (image via Anothermag.com)
J CREW OPENS IN LONDON

This is ridiculously exciting- J Crew is opening on Regent Street sometime next year- I've heard conflicting reports as to when. Some say March, some say "late 2013". I'll be saving my pennies judiciously. It's part of bigger expansion plans for the fashion meets preppy brand beloved of Michelle Obama.

J Crew SS13 shoes from this week's day 
JUSTINE PICARDIE'S NEW HARPER'S BAZAAR



Sienna Miller graces the cover of January's Harper's Bazaar, the first issue under the new editorship of Justine Picardie, find out more about the writer and journalist- who penned last year's brilliant Coco Chanel biography- in her interview with the Evening Standard. The magazine will be out to buy on Monday.

THE BRITISH FASHION AWARDS

Stella's jumpsuit attracted many admiring/envious comments (image via telegraph.co.uk)
Stella McCartney was the big winner at the British Fashion Awards on Tuesday evening, taking home Designer of the Year and Designer Brand of the Year. Here's the winners list in full and a few videos to give a taste of the proceedings. As with all the very best formal events, everything didn't quite go to plan, The Telegraph's Luke Leitch summarised the evening's gaffes and standout moments.

The BFA winners...

British Style brought to you by Vodafone: Alexa Chung

Outstanding Achievement in Fashion: Manolo Blahnik CBE

Emerging Talent Award – Ready-To-Wear: J.W. Anderson

Emerging Talent Award – Accessories: Sophie Hulme

Emerging Talent Award – Menswear: Jonathan Saunders

Special Recognition: Harold Tillman CBE

Red Carpet Award: Roksanda Ilincic

Accessory Designer: Nicholas Kirkwood

Designer Brand: Stella McCartney

Isabella Blow Award for Fashion Creator: Louise Wilson OBE

New Establishment: Erdem

Model: Cara Delevingne

Menswear Designer: Kim Jones for Louis Vuitton

Designer of the Year: Stella McCartney

                 

                 

                 

                 

VOGUE'S DOCUMENTARY

You've seen The September Issue, read Grace Coddington's book. Why not make it a hat trick with Vogue: The Editor's Eye, a totally fabulous looking new documentary which will look at how the stylists at Vogue, including Coddington, get those thrilling shoots which sum up fashion moments. If you have access to HBO then set a reminder for December 6th, if not then we shall have to patiently wait for a UK release date. Tell us now, please!



VALENTINO AT SOMERSET HOUSE
Valentino; Master of Couture opened this week at Somerset House, making the stately building beside the Thames the ultimate place to be this month, what with the Tim Walker exhibition, ice rink and Christmas Arcade. Be sure to book your ticket soon. In the meantime, get a taster of what's to come with the second and third installments of the documentary about the exhibition. I posted the first film a couple of weeks ago.





Thursday, November 29, 2012

SCHIAPARELLI, ERDEM'S GEMS AND OTHER FASHION STORIES

Posted by Bethan Holt, Fashion Junior at Large

In my relatively short time working in fashion, one thing (of the many things) I have learnt is that the industry can really pick its moments when it comes to potentially huge news stories. There's none of the bang-in-the-middle-of-the-working-day punctuality of, say, the Leveson report. Take the frenzied rumour that Christopher Kane would be moving to Balenciaga, that all kicked off bright and early on a  Saturday morning while confirmation of Raf Simons appointment to Dior was announced on a Bank Holiday Monday. I really wouldn't be surprised if some major development weren't revealed while we're sitting down for the Queen's Speech on Christmas Day. In fact in the time it has taken me to write that paragraph, it has been announced that J.W Anderson will be the first designer to work with Versus on their new approach of collaborating with young talent. Meanwhile, in the middle of last night, Cathy Horyn published a piece which suggested Alexander Wang is set to take over at Balenciaga when Nicolas Ghesquière leaves in a few days time. The FashEd's comment on that snippet is "So Alexander Wang would give up his own successful business in NYC to be a salaried employee of PPR in Paris to design Balenciaga?".

Schiaparelli pink (image from vogue.com)
Another ongoing fashion rumour is that LFW favourite Erdem Moralioglu might be getting ready to take up the reins at the newly revived Schiaparelli. Diego Della Valle, who owns the label, has pushed back the relaunch from January to June which means there are only a couple of months at the most before a designer needs to be appointed. Unlike Balenciaga, where whichever designer is chosen will have the immediate legacy of Ghesquière to contend with, as well as the codes of Cristóbal Balenciaga himself, Schiaparelli has been a dormant label since 1954. As well as creating madly fun and beautiful clothes, Elsa Schiaparelli employed her surrealist aesthetic with jewellery. Her Uncle was astronomer Giovanni Schiaparelli and she would apparently sit with him and study the stars as a child, maybe looking at all those sparkles in the sky prompted her to branch into making shiny things of her own? Her pieces were kinds of sophisticated satire on conventional jewels, using the usual materials but crafting them into vaguely unnerving pieces. The bug necklace below, for example, was meant to create the illusion of the wearer being inundated by hundreds of insects.

Schiaparelli Lobster brooch (image via debutanteclothing.com)
Schiaparelli floating insect necklace (image from brooklynmuseum.org)
The lovely Erdem, perhaps in preparation for his Schiaparelli role if we allow ourselves to get utterly carried away with mere hearsay, has created a capsule accessories collection for online retailer MyTheresa. To be even more tenuous, the range includes chunky crystal earrings and necklaces not so very dissimilar to Schiaparelli's mid-century designs. Is it just me or do you see an element of bird in the earrings? The range only launched a couple of days ago and some pieces have sold out already. Whether you're into speculating on fashion comings and goings or not, there's no denying that a Christmas stocking full of Erdem x MyTheresa would go down a treat.
Bracelet £288

Crystal earrings £269

Lace shoes £486

Cocktail ring £225

Wednesday, October 17, 2012

THE OTHER SIDE OF FASHION WEEK: BUYING WITH BRIX IN PARIS

Posted by Bethan Holt, Fashion Junior at Large

You probably know Brix Smith-Start as the former rock star who is now a firm fixture on the front row at London Fashion Week, usually with her her pugs Gladys and Pixie tucked under her arm. You may also be aware that Brix co-owns a fabulous designer boutique called Start in Shoreditch with her husband, Phillip. That means that, despite appearances, fashion month is not all fun and front-row games for Brix but she spends a lot of time with her womenswear buyer Lizzie travelling around the key cities to choose new stock for her store. This season, I went along to a couple of buying appointments with the Start ladies while they were in Paris to get a little insight into what the other side of fashion week is like. I see plenty of buyers doing the rounds while I'm at showrooms but you never know quite what goes on. As a journalist, I'm vying for the big picture- what the look and feel of the collection is, as well as key pieces which are usually the "wow" catwalk creations. The crossover with the buyers comes from working out what it is we will all want to wear, what will be the key pieces and what works with the trends. As Brix and Lizzie explained though, it gets more even more specific than that for them because it's about knowing how their customer will want to interpret the latest looks as well as investing in pieces which will still be beautiful and wearable 5 years later.

Brix and Lizzie in Paris 
Our first stop was the mammoth Comme des Garcons showrooms in Place Vendome. Lizzie and Brix wanted to buy more of the brand's accessories and perfumes for Christmas and beyond, "they're such great price points for something which is so special and will really last, you'd love that as a gift wouldn't you?" Brix enthuses as we look at the brightly coloured purses and clutches. Errr, yes! Adrian Joffe, who is married to CDG designer Rei Kawakubo, greets Brix warmly while Lizzie goes through some paperwork with a member of the sales team. We quickly spy a shelf of CDG's famous wallets which have been updated with a spacey star print. Lizzie and Brix have seen them before but are still really excited about them. To demonstrate just how important these are, Brix removes her brogue and sock to show me her star print pedicure which she asked for the week before. "This is collective consciousness" she tells me, "it came into my head and now it is on these wallets which I'm going to sell in my shop. That's a really important thing to be turned on to, and you either have it or you don't".


CDG star prints + Brix's pedicure = Collective Consciousness

Lizzie vies for the fragrance shelves where she picks out some giant bottles of cologne which she says will be good for Start's men's christmas offering. There are also beautiful, pebble like limited edition fragrance bottles on display which Lizzie and Brix immediately agree on- "they're so special and you would keep them forever". Some of the number crunching which is a big part of buying comes into play as Lizzie works out which styles and colourways of all the things they love will realistically work in store. There are spongy, spotted gadget cases and metallic zipped leather wallets which all look great, but Start can't have them all. Lizzie explains that she decides there and then what she wants but will send through the quantities she wants to order a few days later. 



Keep forever Comme des Garcons art perfume bottles

After we've finished at CDG, Brix and Lizzie explain a bit more to me about how they buy a season. "You have three stages now to each season" Lizzie tells me, "Maison Martin Margiela do a pre-pre-collection so that's where you start to get the first ideas. At the show, the ideas are very directional. There might be a white shirt with huge, voluminous arms and shoulders. It's amazing, but we need to find a white shirt with a gentle version of that". Brix adds, "it's about something with a breath of Margiela magic but not the whole shebang". Later, trends begin to emerge which Start want to buy into but "we need to work out who is doing it best for the best price" Lizzie says. They also stress the importance of perceived value, "If I'm spending £700 on a dress it must look like it cost that much" says  Brix, "the absolute best thing, which makes me so so happy is when a woman spends that on a dress in my shop and then comes up to me 5 years later and is like 'I love this dress and it is still making me happy.' "


Brix's ultimate test for a product is the "fashiongasm". That is, if something fills her with an explosive, must-have sense of need then she knows she's onto a hit. FYI, Brix's recent fashiongasms have come from NEWGEN shoe designer Sophia Webster and the leather tote bags of Sophie Hulme. I think she has another when we move on to Alexander Wang's showroom. While we're perusing the shoe offering, Brix spies a pair of  black ankle boots which have a cutaway heel, lined in rose gold. She already has a pair but is pleased to see them again and describes wearing them as "having angels nibbling at my heels"- I'm not sure anyone could have put it better. 


Wang is more chaotic than Comme and we have to wait a while before a showroom representative comes to help. In the meantime, Lizzie and Brix are plotting their strategy for this appointment. They've already bought quite a bit of Wang's pre-collection. In fact, the way it usually works out means up to 70% of their buy comes from pre collections (and pre-pre in the case of Margiela) and the remaining 30% is made up of the main collections we see on the catwalks. 

A black shorts and top combo with sliced out segments sewn together with transparent thread is pointed out to Lizzie and Brix when they ask what the big sellers have been so far but they're not so sure it will work for their customer. However, when the model comes out wearing the pieces it looks like they might change their mind.The models are crucial because they show buyers how the pieces are cut and hang, it's not fail safe but if something doesn't work on a model then it's not going to work full stop. Lizzie and Brix dismiss a few pieces because "you could never wear a bra with that"and think about all the ways to wear items they like, they go through the options for making the lemon knit tank work and what you could wear with it. 



I learn that buying is about being quick, decisive, sure of your opinions but open to changing your mind and noticing the world around you. Brix tells me about the Isabel Marant Bekett wedge trainer phenomenon, "I remember going to the showroom and I actually preferred the Betty style but every girl in the showroom was wearing the Bekett, it felt like the hot thing. Nobody ordered enough that season, it was crazy". It's the perfect example of rising above your own level of taste to detect the general mood, "it was inelegant but actually really cool". Lizzie thinks a similar thing is happening at the moment with Kenzo, "I'd written it off as a very 80s brand which kind of belonged there" she tells me as they're about to head off to their buying appointment at the label, "but I'm adjusting my vision because there is so much buzz about it now". Funnily enough, minutes after I leave Brix and Lizzie I see two very cool Parisiennes with two giant Kenzo bags apiece slung over their shoulders. 

Thank you to Brix and Lizzie from Start. Visit the store at 42-44 Rivington Street, London, EC2 3QA.

Wednesday, September 12, 2012

THE WAY TO WATCH SS13

Posted by Bethan Holt, Fashion Junior at Large

It's a whole six months since the last round of shows. That's an age in the land of the internets and some of the industry's key websites have had quite a makeover in that time. For anyone dissecting the shows from afar, that means new ways to experience the collections digitally. Over NYFW, Melanie and I have found our own ways (aside from Twitter, of course) to see what's going on. This is our favourite...

The New York Times magazine dedicated fashion site, The Cut, has had a major spruce in the run-up to SS13. We're loving their back and front images of each look, as well as close-up bag and shoe views. It's not just their pictures which are brilliant- each show page has the editor's favourite looks and a one sentence review to sum up the show's vibe. If you'd like a bit more than one sentence then head over to SHOWstudio.com where industry experts are partaking in panel discussions of a number of shows- click here for yesterday's ninety minute extensive discussion of the Rodarte show.

Three way Thakoon...

Nipped at the front...

... loose at the back



Three way Alexander Wang..

White shirt at the front

...Cut out at the back


Two way Marc by Marc Jacobs

Collar at the front...

.... Collar at the back