Tuesday, February 19, 2013

LFW AW13: BRAVO LUCAS NASCIMENTO

Posted by Bethan Holt. Junior Fashion Editor at Large

A few weeks ago, I visited NEWGEN designer Lucas Nascimento to preview his AW13 collection, which was shown at Tate Modern this morning. It was a beautiful, chic and clever collection which had  several editors and buyers I was sitting near to actually cooing out loud. Quite a feat on the last day of the week. Obviously not the actual week, the fashion week you understand. Today is London Fashion Friday. Here's the preview, which also appeared in today's The Daily interspersed with some pictures from today's show....

As with most East London designer’s studios, it’s easy to get lost en route to Lucas Nascimento’s Hackney Wick abode. Indeed, at first glance it’s a lighting and furniture factory. But venture further round and you come to the right place. It’s not rails of samples and acres of fabric which greet visitors, as one might expect. It’s an enormous, industrial sized Stoll knitting machine.

Brazil-born Nascimento has confounded those of us who thought we knew what knitting looked like by producing light as air, fine as feathers modern wardrobe staples. In his debut season of NEWGEN sponsorship, A/W ’12, there were bafflingly novel carpet-like knits, for S/S 13 the look was light, fine and sheer. Knitwear like you’ve never seen it before.

The wild-haired 32 year-old has been engrossed in the M1 Plus software which he calls ‘the Photoshop of knitwear’. It allows him to experiment with new techniques which he then tailors into the simple yet voluminous shapes, like shell tops and sculpted shift dresses, which are fast becoming his signature. The night before we met he produced a fabulous double-sided, flock effect pattern which he likens to ‘oil on water’. It is constructed with a combination of shimmering gauze thread and luxurious chenille. It could be jacquard but it has sheen and stretch. Then there’s bouclé yarn knitted with cellophane thread in a way which Nascimento compares to quilting. This squishy, waffled creation will be crafted into a pencil skirt. Prepare to be astounded too by fur tightly knitted into yarn. It’s all about balancing wintry richness with a lightness of touch. 



Nascimento studied knitwear at London College of Fashion, having learnt from his Mother when he was growing up. ‘I love hand knitting and I’m really good at it’ he emphasises, remembering the ‘brilliant’ internship he did with Sid Bryan and the gang from Sibling during his second year. It was post- graduation factory visits while working for the likes of Neon and Basso and Brooke that piqued a curiosity about what technology could do for knitting. 


‘We go through the yarns for the season, but it’s always a surprise because they will do something you didn’t think they would’ says Nascimento of the starting point for every collection. He has a beautiful mood board, which includes a 60s photograph of Jean Shrimpton, Nefertiti-like in James Galanos, and a tufty haired rabbit. But those images play out in specific details, like the way he wants his knitted fur to look. It is the pocket of The Shrimp’s dress which informs the pouches you will see on dresses in today’s collection. 


He has his fashion aesthetic down to a tee. Those sleek, modern pieces such as a column skirt or neat bomber jacket. For A/W ’13, dresses take on a cocoon shape while jackets are cropped, or cut out at the shoulder. Old ladies are a constant obsession, ‘you must put them in!’ he exclaims in his lyrical Brazilian accent. He goes on, ‘their proportions and how they put together their outfits fascinates me’. While we don’t think geriatric when we see a Lucas look, those demure lengths and inspired colour combinations make sense in this context. Navy is Nascimento’s favourite colour and is guaranteed to appear in every collection. This time it is teamed with ochre, grey and blush pink.
 

At a time when Céline is selling mink sandals, and Margiela offers leather joggers, it is savvy of Nascimento to experiment with imbuing his simple shapes with high-end luxury. One look comprises a fur sleeved sweatshirt and matching rabbit panelled pencil skirt. Perhaps it’s something to do with hailing from a BRIC country? ”I really want women to look at something of mine and say ‘Oh my god, I need that. I want to rock that’” Nascimento enthuses. Cue, a whole new wish list for Autumn.

Monday, February 18, 2013

THREE'S A TREND: BIG JIGSAW CAMO

Posted by Bethan Holt, Junior Fashion Editor at Large

From the coolest store on the high street to the most talked about designer brand of the moment to exciting young designers, camo is set to be the big print of AW13...

CHRISTOPHER KANE

 WHISTLES


MARQUES'ALMEIDA

And just because.... It's the Harlem Shake, Army edition

Sunday, February 17, 2013

LONDON FASHION WEEK AW13: DO THE "CO-ORD"

Posted by Bethan Holt, Junior Fashion Editor at Large

Here's a FEAL version of what I wrote for today LFW paper, The Daily...

Matchy matchy has already been made modern. Recall way back when in Resort 2012, Phoebe Philo did shirts, jackets and joggers all styled together in the same floral print. Since then, the "co-ord", as matching outfits have been christened, has become a key component in the most wearable collections. It's an easy look, the bricks of which can quickly be taken apart to form a whole new outfit. A case in point was Zoe Jordan's Prince of Wales ensemble, or the striped set which Eudon Choi embellished with Swarovski crystals. While they look perfect together for full-on, mega matched impact, the best bit is that you could wear that check tee with a leather pencil skirt or play down the stripe trousers with a plain jumper. You might decry that surely that is what a dress is for. A total, easy-to-put-together look.  Well, yes but separates are far more modern looking and I would bet that a co-ord induces boredom at a far slower rate precisely because you can change it around.  From a designer's perspective, the co-ord is a commercial winner too because it persuades us to buy into two pieces to achieve one look (or if you're into Christopher Raeburn, you'll need the bag and boots too)

At Antipodium, there was the choice of a tweed bomber and wide leg look in either mustard or lilac checks. Creative Director Geoffrey Finch told me, "we were fed up of so much bitsiness, it's nice to have a whole look". Vogue's Emma Elwick-Bates summed up LFW's take on the co-ord, "I feel like it's really relevant in heritage fabrics now, like a modern Katharine Hepburn". We'll match to that.

 A TUMBLE OF LFW CO-ORDS

Lace at Christopher Raeburn

Striped and embellished at Eudon Choi
Checks at Zoe Jordan 
Cocktail print at House of Holland

Simply grey and sporty at Thomas Tait

Graphic print at Holly Fulton
Black and white chains at Whistles

Saturday, February 16, 2013

THE FASHION WEEK WARDROBE: AN EQUATION

Posted by Bethan Holt, Junior Fashion Editor at Large

*During London Fashion Week, I will be writing for The Daily, the LFW newspaper. Every day here on FEAL we will be posting a version of my Daily story. Today it's all about how editors get dressed for fashion week...

"I do a panic buy the week before shows" confides In Style's Victoria Moss, summing up a very familiar routine. The anticipation of being surrounded by fellow fashion experts, trendsetters and highly preened bloggers is bound to bring out the credit card. While fashion weeks are ostensibly about viewing the new collections on the catwalks, it is now just as imperative that we ramp up our own looks for the occasion rather than letting the designers do all the talking

To make matters somewhat easier, there's a dressing equation to follow in order to subtly impress our peers without appearing too much like street style photographer bait, as Moss told me "I'm not really the type to be hovering around outside Somerset House hoping for a Scandinivian blogger to take my photo, so I'm more about conjuring something up which will let me look at least half chic for a 12 hour and beyond day". 

There are three components to this equation and they go like this:

1. SOMETHING JUST HITTING DOWN IN SHOPS

So right now, that's SS13. Jayne Bibby, from WGSN, is going for "bold and versatile" monochrome. By the looks of the courtyard at Somerset House today, that's quite a consensus Victoria has mixed her SS13 trends- black & white plus florals- into one MGSM jumper. 

Black and white SS13 vibes... in February snow (image via Vogue.com/ Phil Oh)
2. SOMETHING YOU'RE SEEING ON THE CATWALK

Cara Delevingne enjoys her red lip at Marc by Marc Jacobs
Once we're a few days into New York, there are trend starting to emerge which we can have a rumble around our wardrobes, or make-up bags for. The Observer's Helen Seamons is particularly into the Antonio Lopez red lip seen at Marc by Marc Jacobs which will "add polish". Personally, I got out my tartan trousers for yesterday after seeing it in plenty of men's shows back in January- see Lou Dalton- and in some of my favourite pre-fall collections, see Preen. 

3.  A TIMELESS CLASSIC

Lily Kwong gives good white shirt in NY (image via Vogue.com/ Phil Oh)
This is the completely non-try hard, anchor of your outfit; the cheery on the sartorial cake. Navy sweaters, jeans and crisp white shirts are probably the very best examples.  Grazia's street style expert Hannah Almassi believes Peony Lim's Manolo Blahnik pumps in every colour are an excellent example. "The best looks will mix Zara and Balenciaga with seamless skill" adds Hannah. Too much pressure? Do as DisneyRollerGirl’s Navaz Batliwalla, "I dress the same as any other day".

Friday, February 15, 2013

LFW AW13: WATCH TOPSHOP'S GOOGLE PLUS HANGOUT

Posted by Bethan Holt, Junior Fashion Editor at Large

Did you see Fashion Editor at Large extraordinaire Melanie Rickey hosting a global hangout from Topshop HQ this afternoon? Take note, this is the future of fashion...